Sinfonia da Vita, Op. 1
Sunday, February 27, 2005
 
I'm surprised I don't really have to audition for the Soracco Musical Group. Dr Malcolm asks me for my background and experience . . . I rattle everything off to him, and before I know it, I've clinched the job as keyboardist.

My first task: to accompany those who have come to audition. I spend the next three hours or so playing dozens of songs - the most-played (and slightly-overplayed) being the Carpenter's "Top of the World". For the people come in without any songs in mind, and so the auditors - Malcolm and Miss Lim - suggest, "How about 'Top of the World'?" And there I go again. I must have played it in a multitude of keys, from C to F to B-flat to B to . . .

At the end of the session, I find out that the musical has not been born, contrary to what the notice my father gave me said. Initially I thought that I would come in, audition, get the score and go home and practice. Apparently there's no music to...
 
Friday, February 11, 2005
 
I'm at Temasek Polytechnic today for the first recording session. Today I shall record the music - the minus one, to be precise - for the theme song of "Fourteen Days" (also, by the way, coincidentally called "Fourteen Days" as well).

I thought I might use the synthesiser in the recording studio, and input one instrument by one instrument into the recording software. You know, the technique of layering. The end product would sound as if it had been recorded by session musicians, although it's really a one-man job.

Gerald sets up the equipment, and runs the software. I begin playing. I decide to record the piano part first, since its presence is prevalent throughout the work. Then I will go on to the bass, the percussion, and finally the rest of the instruments.

I'm actually improvising. I'm very familiar with my work - but only in the key I'd initially written in. However I had to transpose the entire song because SY couldn't handle the range of the original. And I just did that the day before. I haven't had the chance to practice. I can't even get a hard copy of my score because the printer has run out of ink, and the only reference I have is a fucked-up, handwritten copy of the main melody and the lyrics in fake book format.

As I play, I begin to stumble more and more. My tempo is inaccurate, fluctuating here and there. Many times I hit wrong notes; play wrong chords. Shit. It's a very bad experience.

Gerald tells me it's okay, he can always delete the fucked-up recording and then we can do another one. Okay, let's do it. I play the piano part again.

Not a perfect recording. Again, stumbles, wrong notes... the whole works.

Shittified. Perhaps I should record the bass first. Its rhythmic pattern consists of regular beats. Thump-thump-thump-thump. To ensure that I stay in one tempo throughout, I type out crotchet notes to act as metronome marks.

Here I go.

I have trouble keeping up with the metronome beats. Some times I go faster. Then I have to slow down to let the metronome catch up. Everything is in chaos.

That's it. Period. I'm going to record the minus-one directly from Sibelius. It will be saved as a wav. file and then shipped onto the recording software. By the way, the polytechnic is using Audio Logic. It's damn cool: your recorded parts are shown as ribbons on the screen where you can snip off here and there, and drag and paste to fit with other "ribbons". This is great for doing electronic music... layering different sounds for effects. Or House Music can even be produced with it.

Let me stray off the topic and go on about House Music for the moment. Sure, it's stuff for the dance clubs, but the compositional process behind it is very exciting. What the DJ does is that he mixes up varying songs together, like rojak. Then he will seamlessly link different lines or phrases of different songs together. Think of a medley. A medley is spun out when a few songs are put together and joined seamlessly. Here, we're talking about lines and phrases and verses of different songs put together and joined seamlessly in random. For example, Verse 1 of Song A will link into Line 3 of Song B... before you know it it will go into Verse 4 of Song C. The emphasis is not so much on the lyrics, but rather, the rhythm, beat and the atmosphere. The great DJs will know how to surprise his/her listeners, and prevent them from getting too tired from listening to his work. It's a very exciting concept.

So what does House Music have anything to do with Audio Logic? Well, you can record various songs or pieces of music, and then do the cutting and pasting on the software. Then you can place the snippets here and there like a jigsaw puzzle.

Back to the recording. I realise I have no means to transfer the large wav. file to the Apple computer which contains the Audio Logic software. Stupid me, I forget to bring my thumb drive. Things will be so convenient then.

Anyway Gerald has scenes that require music. He shows me footages. I realise how weird films look without music. It's like something is missing. The actresses (the heroine and the Fairy Godmother) are acting normally, talking to one another... but it feels very discomforting. Even more so is the part when the Fairy Godmother does a dance to introduce herself. She looks rather silly, flailing her arms here and there to nothing in particular. Somehow I manage to figure out that she needs music in the a-go-go style. Gerald tells me, "Ah Lian."

"A-go-go, can?"

"Yeah, that'll be great."

Gerald goes for a lecture. I go back to the empty studio to begin composing - I've brought my laptop along with me.

Along the way, John Kuek enters. I only know him as the guy whom the students consult on recording and sound issues. He takes an interest in the Sibelius software. We strike up a conversation. He mentions that he is in the music arrangement business. His company makes arrangements of the latest pop songs for solo piano and sells them commercially. You know, those sort of Hit Parade books where they have the scores of popular songs for everybody to play and sing. They also do orchestral arrangements for large ensembles to play. He asks me if I'm interested to do some work. I will help to type some songs, and at a later stage, arrange them. I take up the task enthusiastically.

***End of Part I***
 
Monday, February 07, 2005
 
AT LAST!!! I've finished Gerald's (Si Ying's friend, by the way) "commission"!

What did I gain from this experience?

Number 1: writing pop music is damn hard. Honest. You need a good, catchy, memorable tune that will probably please most people. I don't think I have that flair. I'm only used to creating short motifs and then working upon them in any way that I like. Now: no way. I have to spin out a thread of notes that will become the verse, chorus, (or bridge: optional) of the song. Also, I'm always trying to include that little "something" which will make my score unique. I'm not content with any Tom, Dick and Harry progression of fifths, like what everybody uses - the most prominent example being "I Will Survive" as performed by Gloria Gaynor. The progression keeps repeating itself throughout the ENTIRE song - from the verse to the chorus - it's literally a chaconne on its own. Bach would have gone mad with pleasure or sickness . . .

Number 2: I'm stuck with Shania Twain's "I'm Gonna Getcha Good" in my head. Not that I have some favouritism towards the song, but it's my preparatory work. You see, Gerald wanted to use the song, but he couldn't obtain the copyright, so he had to use an original composition. At first I slave my way trying to make my own work SOUND LIKE that one. But it failed. Of course it will fail: I cannot replicate that style 100%, or even 60%, to be very truthful. I'm sorry that I have my own styles and I can't get out of them either. So we must adapt; we must make a compromise. Somewhere, somehow. When there's a will there's a way.

Anyway eventually I look at the script, and then at the specifics which I've derived from my discussion: (1) something upbeat; (2) it's for scenes where the guy and the girl are slowly falling in love with one another.

Okay, think of those happy-go-lucky, happily-ever-after kind of music. That should be it.

I think about writing lyrics: it'll give the song some shape. But what lyrics to write? Hmm . . .

"You were the girl with the dorky specs . . ." - adapted, or rather, quoted, straight from the script.

No . . . the words cannot be obtrusive . . . it should be a "generalisation".

Next, "I didn't know I could have such a feeling."

Fuck it. I don't have the feeling to continue writing.

Next, "You had something there that others couldn't see / You had something there that's just for me to see . . . (see what see!?) / You didn't have to change yourself . . ." - fucking hell, that's revealing the film's plot in one go!

For the first time I actually volunteer to do housework . . . I thought of vacuuming the house while pondering over what to write . . . but Father says that this chore only needs to be done tomorrow.

"Any other things I can do?"

"No, it's okay, go and do your work."

SHIT! I'm brain dead!

I start listening to some CDs. I put in the Original London Cast Album CD of "They're Playing Our Song." Sorry Meg, forgot to return the CD . . .

Anyway, the overture is arresting. Those thumping piano chords . . . Thumping Quavers! I've got it! I've always loved that kind of accompaniment, particularly for pop and rock music. ABBA's works have lots of such stuff in them.

Straight to the piano to hammer out stuff - I'm just playing whatever I feel like playing. When I get potential ideas, I scribble them into my trusty manuscript book.

And like an idiot: I should have seen the title of the film.

Fourteen Days.

FOURTEEN DAYS.

At last, a sense of direction!

I work from the chorus - chords, melody, lyrics. I begin orchestrating, using the thumping chords in the Electric Piano . . .

And it is those thumping chords that really get me going.

The chorus ends on an F. Thump-thump- thump- thump-

So the verse will start in F.

Again the necessity to be unique overwhelms me. After four bars of an F-pedal, I go into an A for one bar, then B7 on A, A and a lead-on to the chorus.

Everything works perfectly.

I begin to write the lyrics. Damn, I've never written this fast before. And I really mean it's damn fast. I never once stop to consider things.

FOURTEEN DAYS
Words and Music by AUGUST LUM

I have been given
An opportunity
I'd better grab it
Before it can flee
It looks so easy
But can it be done?
Heck, I will do it
I will be the one

CHORUS
Fourteen days are all I need to fall in love
Fourteen days are all I need to unlock his trove
It can be done; I'll prove that
It can be done
To fall in love in fourteen days

*The last time: repeat the chorus and then jump to the CODA.

I meet my sweetheart
I give him gifts
I'm like a worm
Baiting the fish
Oh what's his reaction?
I'll wait patiently
But can't wait too long
I've no time to see!

To CHORUS

My days are numbered
Do I have progress?
Failure's not the option
It will be my regret
It looks so easy
But can it be done?
Heck, I will do it
I will be the one
To CHORUS

I'm getting closer
Closer and closer
I'm will jump
Hurdle after hurdle
Can I make it through?
I'll wait patiently
But can't wait too long
I've no time to see!

CODA
It looks so easy
But can it be done?
Heck, I will do it
I will be the one!

In fifteen minutes, I am done. Now, to fit in the melody, and then orchestrate . . . the rest is standard.

I message Gerald. He's shocked and surprised that I finish the score so damn quickly. Ha-ha, not surprising. I have to, because of the subsequent rewrites and revisions up to the deadline.

So I've emailed him the score. It's half-finished, as in, there are no dynamics or articulations or performance directions. I'd rather he approve it before I continue further editing.

Interesting experience, though. Wenfu is right. To survive as a musician in Singapore, one has to be versatile. Even if you have to write the most condemnable pop song, you'll just have to hitch your skirt - or underwear, in Jay Chou's case - no offence there - and write it, no matter how you think it will humiliate your artistry. The good thing is, you have the copyright to the song, so you can make fun of it in some serious work you happily write later.

Through all the "commissions" I've received, nearly zero are in the field of serious music. Okay, "Temasek Symphonica" is somewhere in-between, but it has to lean more heavily towards pop and rock in order to appeal to the crowd of TJC. I feel you have to see what your audience is before you decide how you want to craft your piece.
 
 
1. What would you prefer to be called?
By my name or by my surname, or Chinese name. You can add an "Ah" in front of my surname, makes its more colloquial. Please don't call me by my dialect name, and don't ever add a "Private" or some shit rank in front of my name/surname/name-cum-surname.

2. Are you bored?
No, I'm never bored as long as I can find something to do.

3. How's your life nowadays?
The same . . . working every waking moment

4. What was the duration of the longest conversation you had on the phone?
An hour? I would never do it again . . . it's very tiring. MSN is more relaxing . . .

5. What's on your mind right now?
Killing all the goblins on Runescape

6. What song are you listening to right now?
Mahler Symphony No. 8

7. Do you think life is unfair?
Obviously life is unfair . . . see how Communism failed . . . democracy rules . . . in democracy and meritocracy, if you're not up to it, then you're out. And then you'll start bitching that life is unfair, when the winner thinks it's fair.

8. What annoys you the most?
People who can talk a lot when it comes to doing things, they don't do it and shun the job . . .

9. What do you think about your love life right now?
Zero. Zilch.

10. Will you survive without love?
No . . . you need someone to show you care and concern and listen to your problems. I'm talking about love in general, including family love.

11. Which is better: dogs or cats?
No preference . . . aren't very fond of animals.

12. What makes you happy?
Being able to be confined at home, working away on my laptop and tinkling my piano. Alternatively, a trip to the Esplanade Library, or to a concert . . . even booking out makes me happy . . . saying goodbye to the wretched jungle.

13. Will it be a problem if you have a very big crush on someone?
How often do I get crushes? It's not a major concern for me . . .

14. Do you fall in love with someone easily?
I fall in love with a piece of music more easily. All it needs is that particularly chord, harmonic progression or melody . . . and then I'll have a crush on it.

15. Have you tried smoking or drinking?
Drinking, yes. Beer was a horrible experience. Wine . . . okay . . . only the downing part is torture.
 
Friday, February 04, 2005
 
You Are 23 Years Old
23

Under 12: You are a kid at heart. You still have an optimistic life view - and you look at the world with awe.
13-19: You are a teenager at heart. You question authority and are still trying to find your place in this world.
20-29: You are a twentysomething at heart. You feel excited about what's to come... love, work, and new experiences.
30-39: You are a thirtysomething at heart. You've had a taste of success and true love, but you want more!
40+: You are a mature adult. You've been through most of the ups and downs of life already. Now you get to sit back and relax.

What'>http://www.blogthings.com/whatagequiz/">What Age Do You Act?
 
 
You Are 23 Years Old
23

Under 12: You are a kid at heart. You still have an optimistic life view - and you look at the world with awe.
13-19: You are a teenager at heart. You question authority and are still trying to find your place in this world.
20-29: You are a twentysomething at heart. You feel excited about what's to come... love, work, and new experiences.
30-39: You are a thirtysomething at heart. You've had a taste of success and true love, but you want more!
40+: You are a mature adult. You've been through most of the ups and downs of life already. Now you get to sit back and relax.

What'>http://www.blogthings.com/whatagequiz/">What Age Do You Act?

 
 
You Are 23 Years Old
23

Under 12: You are a kid at heart. You still have an optimistic life view - and you look at the world with awe.
13-19: You are a teenager at heart. You question authority and are still trying to find your place in this world.
20-29: You are a twentysomething at heart. You feel excited about what's to come... love, work, and new experiences.
30-39: You are a thirtysomething at heart. You've had a taste of success and true love, but you want more!
40+: You are a mature adult. You've been through most of the ups and downs of life already. Now you get to sit back and relax.

What Age Do You Act?

 
Thursday, February 03, 2005
 

From a quiz: oh dear, how can I be Hitler? According to the lines of my palm I don't like to control people...
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THE FOLLOWING THREE PHOTOS ARE FROM AN EMAIL I RECEIVED, ENTITLED "ENGLISH IN MAINLAND CHINA"...

Well, we've all heard of FCUK... whoever used the word FUCK on the billboard!?
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In case you don't comprehend, it actually says, "THE FAMILIAR FOOD MAKE SURES THE PRICE GO DOWNS"
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Surround who?
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THE FOLLOWING ARE A SERIES OF PHOTOS FROM AN EMAIL I RECEIVED, ENTITLED "NOTHING BETTER TO DO"... some may be quite offensive...?


Abuse of fountain... Outrage of modesty...
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"What the HECK are you doing!!??"
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Chain reaction...
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"Spiderman, spiderman..."
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"Bloody Hell! You got see where you go or not!!!???"
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Ummmmmmm... the Virtruvian Man???
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Ooo... hot chick!
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This is given to me just before my discharge from the ward.
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National Dental Centre Day Surgery

POSTOPERATIVE INSTRUCTIONS

1. After the operation, it is inevitable that there will be some facial swelling, bruising and a small amount of blood may ooze from the wound.

2. You should rest quietly at home. Avoid vigorous exercises, stimulants, or very hot food or drink for the rest of the day to minimise the risk of excessive postoperative bleeding.

3. If bleeding occurs, apply a clean folded gauze or handkerchief to the wound and bite on it firmly for a timed 15 minutes. If active bleeding persists after a few attempts, plese return to this clinic during office hours or attend at the Department of Emergency Medicine, Block 1 of the Singapore General Hospital after office hours. Please bring along your Identity Card or Passport and Outpatient Card if you are attending the Department of Emergency Medicine. Please note that an emergency service facility charge of about $80/- is payable.

4. Please remember to take your medicine at the prescribed frequency and dosage. Should a rash or any other complication develop after taking the medicine, please return to this clinic during office hours or attend at the Department of Emergency Medicine after office hours. Alternatively, you may visit your nearest medical general practitioner for the problem.

5. The site of operation should be cleansed by rinsing the mouth gently with warm saline (salt solution) or a prescribed mouthwash immediately after meals and before going to bed. Brushing of teeth should resume the following day after surgery. (Do not rinse your mouth unnecessarily on the day of the operation.)

6. You should not apply a hot-water bottle or hot towel to the cheek/facial skin area of the operative site because this tends to increase the size of the facial swelling.

7. Soft food may be taken over the next few days. Chewing on the operative site(s) should be avoided during this time.

8. If you have been given another appointment, please do not fail to attend.

9. Should you have any question about the progress of your recovery, do feel free to contact us at the centre at telephone no: 63248836

We wish you a speedy and uneventful recovery
 
 

The consequences of going for the surgery... page 2
Posted by Hello


4. Bone infection (osteomyelitis).

5. Radiation-induced bone infection (osteoradionecrosis) if you have received previous radiation treatment to the head and neck region.

6. Jaw fracture.

7. Presence of foreign body in surgical site, e.g. broken instrument.

8. Presence of portion of tooth intentionally left in socket.

9. Presence of portion of tooth unintentionally left in socket.

10. Displacement of tooth, tooth fragments or foreign bodies into adjacent anatomical sites (e.g. airway, gastrointestinal tract (gut), maxillary sinus, inferior alveolar canal, infratemporal fossa and adjacent soft tissue).

11. Unnatural communication with the nasal or sinus cavity (oro-antral/oro-nasal fistula formation).

12. Pain or discomfort (symptoms) arising from temporomandibular joint disease/disorder.

13. Pain or discomfort (symptoms) arising from muscular disorders.

14. Persistent or new diseases (e.g. recurrent or residual cyst).

This brochure serves as a GUIDE for you to discuss with your surgeon about your impending wisdom teeth surgery. He/She will be able to give you a better individual assessment of the possible risks and complications depending on the presence and severity of risk factors involved in your case.
 
 

The consequences of going for the surgery... page 1
Posted by Hello
PATIENT INFORMATION FOR IMPACTED WISDOM TEETH SURGERY
Department of Oral and Maxillofacial Surgery
National Dental Centre

Wisdom teeth (third molars) are the last of the molars to erupt between the ages of eighteen and twenty-four years. They may erupt normally into correct alignment and function or conversely are impacted.

Impacted wisdom teeth occur when they are prevented from complete eruption due to the lack of space, obstruction or development in an abnormal position. They are often indicated for removal because of pericoronitis, i.e. an infection of the gum overlying the partially-erupted tooth, tooth decay and an increased risk of tooth decay and gum disease (leading to bone loss) in adjacent teeth. Less commonly, it is removed to prevent possible cyst formation and orthodontic problems in later life.

Impacted wisdom teeth surgery involves making an incision through the gum, removal of bone and/or sectioning of the tooth into smaller fragments to facilitate its removal. After the operation, it is common to experience pain, facial swelling, limitation in mouth opening and mild bleeding from the operation wound for three to five days.

The following is a list of known risks and complications, which can occur whenever SURGERY IN ANY FORM is undertaken:

1. Prolonged pain.

2. Prolonged bleeding.

3. Prolonged swelling due to oedema or blood clot.

4. Prolonged period of disability (e.g. limitation in mouth opening).

5. Acute/chronic/local/general infection.

6. Medical problems arising during the post-operative recovery period.

7. Unrecognised co-existing condition which requires additional unplanned surgery.

If a general anaesthetic is required to carry out the surgery, it is a separate medical procedure administered by a medical specialist known as an anaesthetist. This procedure has its own inherent risks which includes rare and unpredictable death.

The following is a list of known risks and complications associated SPECIFICALLY WITH IMPACTED WISDOM TEETH SURGERY:

1. Injury to adjacent teeth/hard/soft tissues.

2. Numbness of the lower lip, chin and/or tongue (neurological dysfunction).

3. Dry socket (alveolar osteitis).
 
 

Second page of the authorisation form... instructions on what to do.
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Day Surgery
PATIENT INFORMATION SHEET
For General Anaesthesia (GA)

1. DO HAVE a normal meal the night before surgery but AVOID excessive food and alcohol.

2. DO NOT eat or drink ANYTHING after midnight on the night before surgery, i.e. NO BREAKFAST, DO NOT DRINK ANYTHING or CHEW GUM etc.

3. DO NOT SMOKE from the day before surgery.

4. DO BRING all the medication that you normally take. Discuss the use of the medication with the anaesthetist during your pre-anaesthetic examination.

5. If you are on anti-hypertensive medication, DO take your regular medication at 6.00am with 30ml (quarter glass) of water.
If you are on diabetic medication, DO NOT take your medication. Inform the doctor if you take any medication.

6. DO bring your Identity Card or Passport.

If you are under 21 years of age, your parent or legal guardian must be present to give consent for your surgery. Your surgery will be cancelled if there is no consent.

If you do not have a Medisave account and wish to use your parent's or spouse's Medisave, your parent or spouse must be present to sign the Medisave Authorisation Form.

7. DO REMEMBER that you will need a responsible adult to escort you home and look after you overnight. Try to AVOID public transport (bus, MRT, etc). If possible, use a taxi or a private vehicle to take you home. YOU ARE NOT ALLOWED TO DRIVE.

8. DO NOT wear jewellery or bring valuables to NDC on the day of surgery. Bring a case for your spectacles or contact lenses.

9. DO dress for comfort. DO NOT wear make-up, nail varnish or high-heeled shoes.

10. DO REMEMBER to mention loose teeth, crowns or dentures, so that they may be protected or kept safely during the operation.

11. Children having surgery must be accompanied by a parent or responsible adult.

12. DO NOT bring children along when you come for day surgery.

13. Detailed post-operative instructions will be give to you on discharge.
 
 

The authorisation form, pg. 1. Anybody knows what's the "mental/lingua paraesthesia" thing?
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Okay... these are my wisdom teeth after extraction... I think the doctor pulled out all four at one go...
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Wednesday, February 02, 2005
 

The Day Surgery on Level Three of the National Dental Centre is more crowded than I had originally thought. Even before I get there about a quarter to eight, there are already two patients and their families.

Very soon I am brought to the ward area proper. Let me orientate you to the place. The beds are basically lined up to form an L-shape. In the centre is the counter where the nurses are stationed. Behind the counter is a pantry, which also has an X-ray light board in it.

Nurse Sin asks if I had eaten anything previously. I told her that I had followed the dental centre's orders, which had been voice-mailed to me the previous night. It had said that, by ten, I was not supposed to consume anything, not even a drop of water. Nurse Sin takes my blood pressure and my temperature. Jeez, am I that cold in the morning? The reading on the thermometer is 36.2 degrees Celsius.

I am given Bed 2. Nurse Sin orientates me, directing where I can place my personal belongings. The valuables, of course, are handed over to my father. She passes me a blue surgical gown, and a white slip-on jacket that has no buttons. She explains to me the method of wearing the jacket, but I am more intent sending a rather important message on my phone . . .

I join my father in the pantry, where the doctor is, explaining the procedure to him. I recognise that familiar X-ray. The bottom wisdom teeth are slanted pretty badly, almost 60 degrees to the adjacent tooth. Hence the doctor has to cut through the gums in order to remove them. They cannot be extracted via the conventional method of on-the-spot pulling.

Then I see something that I have never noticed before. The upper wisdom teeth are in an equally crammed position, if not worse. Any space between the molars is almost non-existent. Think of books on a tightly-filled bookshelf. Again it would have to be cut.

Father signs the consent form, while I go to the toilet to change. I put on the gown as I would wear a jacket, the opening at the front of my body.

Wait . . . this doesn't look right.

The gown has no buttons, only strings to secure the whole garment together, like that of an apron.

Shit, I hadn't paid attention to what Nurse Sin had said.

I feel very exposed in this way. No, I think this is the wrong way. I take off the gown and wear it the opposite way round, the opening on my back. Ah, this looks better, although I have to admit it's still weird.

Never mind, I begin tying up the strings. Damn, I can't tie a shoelace knot from the back. I look into the mirror; I become psychomotor. My hands are fumbling. Exasperated, I drag the back of the garment to the front to tie the strings just from my side. I tie the strings at the neck area the tightest - at least if the other knots loosen and give away, I'd still have the gown held on to me.

Satisfied, I put on the white jacket and shuffle out on the slippers back to the bed. I hand my spectacles over to my father - immediately my image becomes a blur. An Impressionistic painting. "Can you see?" "Yes . . . but not fine print." Then I stupidly realised all paperwork had been completed, and that there wouldn't be a need to register any words. I am guided to the row of chairs just outside the surgical ward. There, I am given a rather thick blanket and a cap to wear over my head.

Nurse Sin comes over with some kind of spray. She sends the liquid into my nostrils. This is to prevent blood from flowing out of the nose, she explains. Blood flowing out of the nose!? I am horrified. Why on earth would blood flow out of my nose?

The thing is bitter. I only taste the bitterness when some of the liquid flows down to my mouth. Yucks. Almost immediately, there is almost a numbing sensation. My nose is also numbed. I know I have sinus and want to spit it out, but I just can't feel anything.

There are many kids coming here for surgery. The nurses use all sorts of methods to coerce them into the surgical ward, to allay their fears. They use bubbles, give them balloons, or speak well of them, "Come on, so-and-so, be a brave boy, huh? Mummy will go in with you . . ."

Like the children in the Pied Piper of Hamelin, they are obediently led through the glass doors . . .

Within minutes they are screaming and crying their lungs out.

Outside, the wails of children coupled with the sound of machines and tools clanking the trays fill my ears. It is unnerving.

I have come for the surgery not feeling the least nervous. At least I can sleep, I comfort myself. This IS the time to sleep, really. Furthermore, I have free air-conditioning. My sleep is paid for by the SAF, so why not?

But now, the long wait and these screaming kids are sending me to a near-state of panic.

Oh, please, let me go in and put me to sleep (literally).

* * *

At last, a nurse comes to bring me into the operating theatre.

Okay, it's like those places you'd bound to see on the telly. An operating table in the centre of the room. Multiple adjustable lights on the ceiling. Surgical equipment to the side of the bed. There are about four people: three nurses and one doctor.

If you think I'm as blind as a bat with eyesight close to a thousand, you're wrong. I can see IMAGES. Blurred ones, though.

"You don't have to wear your gown so tight lah," the nurse said, as the others giggled. She loosens the knot slightly. Then she bids me to climb onto the operating table. I hand her the blanket that I have been carrying, take off my slippers and thread gingerly onto the step. Brrr, it's cold. The whole theatre is freaking icy.

I lie onto the table. The nurse spreads the blanket over my body. Probes are attached to my chest. The blanket has to be pulled lower for this purpose. "Nurse, can you pull the blanket up higher? I feel cold." "Okay, we will, during the operation."

The doctor comes up to me. While she busies herself, she introduces herself as Dr Ong, the anaesthetist. She explains what she is going to do. She flicks a finger at my hand to try to find the vein. Apparently she has initial difficulty finding it. Lots of people have difficulty finding my vein anyway. The nurse asks me to squeeze my knuckles to induce the vein to show itself more visibly. Dr Ong injects something into the vein. Then she attaches another needle in there. The second needle is really an extremely thin tube for God knows what - but its role is either to send or extract liquids from my body.

I wonder when I'm going to fall asleep. Don't they have the breathing thing? As soon as I think of this, a sort of gas mask is immediately put over my nose. I'm a bit nervous of it at first, wondering at what speed the gas will come, and if I can breathe fast enough not to choke myself. Surprisingly, it's like an air-conditioning duct, with gentle hisses of gas coming through the pipe, pumped by the nurse just behind me. "Breathe in, breathe out, that's good." Great, this is the sleeping gas. I obey the nurses' instructions.

The last thing I want, and the last terrifying thought, is to remain conscious while the surgery is being conducted. I'm not sure if they have checks to ensure that I am FULLY conscious. I've had experiences (on normal days, of course) where my body has nodded off and my brain is fully functional. I am afraid of waking up to see blood spouting all over the place like a fountain from my nostrils and mouth, to experience sharp, unbearable pain from a fresh and open wound, to see the doctor's tools stuck halfway in my mouth.

The perfect horror story.

I am anxiously waiting for the moment that I will conk out. I don’t know when that will be.

Now I know.

Suddenly my hand becomes extremely numb. It becomes heavy, slightly painful, like all the liquid there is being sucked out. The numbness carries itself rather rapidly, down my arms, towards my body.

Before I know it, I'm completely asleep.

* * *
I'm in a dreamless state.

The next so-called half-conscious moment, I recall hearing a nurse telling me to wake up. I murmur, "Very tired".

Moments later, I experience myself being wheeled out of the operating theatre. I thought I could feel the bed turning right, out of the glass doors, although I couldn't see them.

I fall back into a deep sleep again.

* * *

When I next come to, I am horrified to discover that my entire blue gown is soaked in blood. There are large, ugly patches of purple - red blood plus blue fabric gives you purple stain, right? I can feel there is a thick piece of gauze inside my mouth, to absorb the blood. Yet blood overflows out of the saturated gauze. My gums hurt terribly. The pain has gone up to my brain to give me a rather splitting headache. I want painkillers. I want to sleep. My throat is parched from the lack of liquid since the previous night. I feel a slight sore throat.

I fall back to sleep again.

* * *

Nurse Sin comes to remove the gauze. She has problems getting it out, because it's stuck to the metal traps of my braces. She gingerly tears it away using a pair of tweezers, afraid that any harsh movement might cause me to reel to hell from the shock of pain. Not much progress is being made. I decide to do it by myself, since I know I will feel. I tear the gauze out slowly, but with much strength in order to free it from the protruding parts of metal on my teeth. Finally, it's extracted. It's damn bloody red, with pools of blood visible and threatening to drip. Disgusted, I drop it into the basin which Nurse Sin has kindly provided.

At the same time, she removes the needle-tube from my left hand. I don't know to be fearful of the tape peeling away from my skin like plaster, or the needle being pulled out. Anyway, it is better than I had thought. No effect. Kudos to Nurse Sin.

I'm thankful that the object has been taken out at last. I've been so worried about sleeping with it. What if I disturb it while turning about in my bed, and I break the needle, or force it sideways until it pokes into another part of the flesh? I can't sleep well with it.

I drift off into slumber once again . . .

* * *

I am finally discharged at about two in the afternoon. That's when I feel I have slept enough. Ha-ha, can you believe it: I am actually reluctant to go home? I have air-conditioning here, a nice bed (somehow I've been fortunate to get what I think are good beds, even in Sungei Gedong), peace and quiet . . . what more can I ask for? Okay, no radio here, perhaps. But I'm so tired that I don't need the radio to keep me company, to lull me to sleep.

Father has bought fish porridge from Chinatown. He walked there for his lunch, while I am still sleeping. He has also bought my medication. I change, and we leave. I decide on the MRT, although I have been advised to, preferably, take a cab home. I don't feel as groggy as before - the effects of the anaesthesia are wearing out. The only chagrin is the swelled gums that bring me much pain and misery throughout the journey, and the bulging cheeks as a result of this.

Oh, I've forgotten to mention about the MC. Eight days at home, unfit for any form of duties. How good can that be?

 
 
1. Name
August

2. Single or taken
Single; taken over by the spirit of the workaholic

3. Sex
Male

4. Age
19 going on 20

5. Eye colour
Dark brown

6. Hair colour
Totally black

7. Do you have a boyfriend or girlfriend?
No

8. Do you have a crush?
No

9. Your favourite place to shop?
Citylink Mall - just passing by on the way to the Esplanade

10. Your favourite shop(s)?
Tower Records (Suntec City), Kino (Ngee Ann City), MPH (Parkway Parade), HMV (Heeren)

11. Your favourite brands?
Yamaha, Steinway and Sons (although I don't own one now), Sibelius Software

12. Your favourite designers?
Don't have one

13. Tattoos or piercing?
None

14. What's your job?
Armoured Engineer

15. Do you do drugs?
No . . . only when I'm sick lah

16. What shampoo do you use?
St. Ives at home, Fa in camp

17. What are you scared of the most?
Fire, loud noises (i.e. explosions), SOC

18. Who is the last person who called you?
Nurse Sin from Day Surgery at National Dental Centre

19. The last person who messaged you?
Justin (Yeo)

20. Favourite colour(s)
Black

21. Favourite food(s)
Sirloin/Tenderloin steak, Pasta (especially Fusilli), Fried Hong Kong noodles, Fried Rice (Hong Kong style)

22. Favourite boy's name(s)
Franz, Hans, Maxim

23. Favourite girl's name(s)
I don't know . . . I'll post them up when I come up with them . . . if I can, at all.

24. Favourite subject(s) in school
Music, Art, English, History

25. Favourite teacher(s)
Basically all the teachers who have taught me before - and they are those who have stayed with me throughout the course of my study, not those who leave halfway

26. Favourite place(s)
Library @ Esplanade

27. Favourite animal(s)

28. Favourite sport(s)
Long-distance cycling

29. Favourite drink(s)
Teh-O, Pokka Lemon Tea

30. Do you wish you could live somewhere else?
Sometimes . . . somewhere that's green (not the live-firing area or the army camps, please)

31. Do you think about suicide?
Yes . . . sometimes.

32. Do you believe in online dating?
No. It's stupid and you're likely to see more social problems than never.

33. Do others find you smart?
No. They find me irritating.

34. Do you want more piercing?
No way

35. Do you drink?
I can't hold alcohol . . . I already take ages just to finish about 10ml of wine . . .

36. Do you smoke?
No. But I'm a passive smoker, yah?

37. Do you do drugs?
No . . . unless I'm ill.

38. Do you like cleaning?
Do I have a choice . . .?

39. Do you like roller coasters?
Never . . . my only roller coaster ride was the Buffalo Bill at Sunway Lagoon, a motorised one that looks like a rougher train journey than a true thriller.

40. Do you act loud or quiet in a crowd?
Depends on how familiar I am with the people.

41. Have you ever cried over a girl?
No . . . how stupid can this go?

42. Have you ever cheated on a girl?
No

43. Have you ever lied to someone and felt guilty?
Yes . . .

44. Have you ever been arrested?
No

45. Number of times you had your heart broken?
Many times . . . not because of a girl but because of disappointment over work, or during a falling-out with friends

46. Number of hearts you have broken
I don't know, because people don't tell me that their hearts got broken.

47. Number of girls you have slept with?
0

48. Number of boys you have slept with?
If you're talking about inside a room, then that's 20 . . . 20 guys in the platoon.

49. Number of drugs taken illegally?
0

50. Number of people you consider your enemies?
Quite a lot

51. Number of times your name has appeared in the newspaper?
0

52. Number of times you made a fool of yourself in public?
Many, many times

53. Do you think you are smart?
No. I'm just plain irritating

54. Do you think you are funny?
No. I'm very cold.

55. Do you think you are hot?
I just said I was cold. Are you trying to be funny?

56. Do you think you are friendly?
Again I told you I am cold.

57. Do you think you are clever?
No, I'm not smart.

58. Do you think you are lovable?
Please refer to the answers for questions 54, 55 and 56 thank you . . .

59. Do you think you are caring?
. . .

60. Do you think you are sweet?
. . .

61. Do you think you are cute?
. . .

62. Do you think you are arrogant?
Sometimes

63. Do you think you are cheeky?
No

64. Do you think you are photogenic?
Never at all, thank you

65. Motto?
When you say something, do it. Don't NATO (No Action Talk Only)

66. Best subject?
Music

67. Weaknesses
A workaholic; timid; lazy; procrastinating

68. Next action/ambition?
My compositions and arrangements are never finished . . .

69. Last words?
I love such quizzes, because I can at last be cynical and scathing. HAW! HAW! HAW! *evil grin*
 
DISCLAIMER: I blog on MS Word - and I frequently backlog because I don't have the time to write everything on the same day, so please ignore the TIME of post.

Name:
Location: Singapore

Joker who spends his free time milling around NUS pretending to be a student...

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My Musical Works
sibelius_2's La Scrivere, Op. 2
sibelius_2's More Than Words, Op. 3
Gerald/Proko's Blog
Emz/Dvorak's Blog
Composer Emily Koh's Music Website